And I mean that sincerely. In a moment of weakness, I have let my crusty, ironic-hipster guard down and a single tear has issued forth from my jaundiced eye. Why now?
An act of kindness from Duck, no less. No good deed etc., so go read the
Daily Duck too and stick your thumb into their 37,200 comment-old Darwin debate.
Via Yahoo!'s picks, here is
The Criterion Contraption, in which Mathew Dessem sets out to watch every DVD in the Criterion Collection, the hallmark of film auteurs. I like high-concept blogs (previously,
The Hunt for the Best Taco in LA and the
guys who went to every bar with a liquor license within Seattle's city limits) and I've always been searching for the perfect conceit to pull off on my own (something where you put # in the title of every post). No such luck yet (
although I've tried before), but just like Mrs. Right and the last unicorn, I'm sure it's out there somewhere.
And not only does Mr. Dessem have a great concept, but he delivers the goods. What more would you have to say after reading his
review of Rushmore?
Rushmore plays out as most love triangles do, at least when one of the men is a teenager and the other is in the middle of a midlife crisis. Which is to say: unpredictably. I defy even confirmed Wes Anderson haters not to enjoy Max and Herman's revenge montage, which begins with Max letting live bees into Herman's hotel room and ends with prison. At three minutes long, it's a model of economy. Usually, montages elide scenes that would be dull if seen in full (imagine watching one of Rocky's full training sessions). In this case, however, Anderson takes scenes that would be much longer in any normal film and compresses the hell out of them. And it's not just plot that happens here; we learn a lot about Blume from his that sonovabitch smile when he realizes Max is responsible for his bee stings:
Seeing Murray's face slide from the above expression into one that says, roughly, "Max Fischer is gonna pay," is one of the film's great moments. Particularly when it's set to the music of The Who, it seems, revenge can be a terrific amount of fun.
Nothing, that's what.
PS, for what it's worth,
A Quick One While He's Away is one of my favorite Who songs, and it is the second best song in Rushmore's excellent soundtrack after The Kinks's
Nothing in This World Will Stop Me from Worrying About That Girl. Also, here's my
only proof that Anderson doesn't always remake the same movie over again. Oh wait...
Moving along, I've been wading through the wonderful archives of
if charlie parker was a gunslinger, there'd be a whole lot of dead copycats, the
neplusultra of # in a series blogs. Try out
tricky: scenes from a life,
the art of jazz, or
they were collaborators.
Labels: cool, movies, photos